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Ever wondered what inspired a writer to
write the stories they write? Well, I have. So in honor of
that thought, I decided to detail the fifteen events that inspired
the fifteen tales to create my short story collection, DRAGGED
INTO DARKNESS. The reasons for these stories
vary greatly in meaning. Several pieces were born out of curiosity,
while others have dark personal meanings and don't deviate
too far from the truth. A number have a fun, almost whimical
origin which I applied a dark and twisted logic to for an unusual
outcome. But all these stories have a great spark that ignited
my mind.
So please enjoy these tales behind the tales.
Feel free to share your thoughts on these
inpirations.
Sitting up late one New Year’s Day watching
Rod Serling’s NIGHT GALLERY, I caught a particular episode
about a plane in trouble. It was obvious from what was said that
the writer didn’t research his subject too well. The story
has the character call out a runway number that doesn’t
exist in aviation, but the mistake prompted me to consider “what
if.” This story was also a chance to exorcise a personal
demon.
When I was flying student, I was returning
to the landing strip after a mandated solo flight. As I was turning
to make a final approach, another pilot radioed in to land. Unfortunately,
he misread his location and we were on a collision course. Our
two planes were within seconds of a mid-air collision when I
spotted his plane descending on top of me. I made an evasive
maneuver and when I’d recovered from that, I realized I’d
lost my bearings. To compound matters, low clouds swept in and
air traffic control and I lost sight of each other. The airport
couldn’t switch on its lights because they were undergoing
maintenance. I flew around for nearly an hour trying to find
my way back, but with no luck. Panic really had a grip on me
and I actually considered crashing the plane just so the ordeal
would be over.
Luckily, a passing helicopter spotted me and
he had the advantage of seeing both the airfield and me. He talked
me down and the airfield cleared the runway for an emergency
landing. I made a perfect landing in front of a row of fire tenders
just in case things didn’t go well.
A lot of this real life experience became
the heart of Neal’s plight in Runway Three-Seven. The emotional
force this tale carries is what I felt and I hope you feel it
too.
This was first story idea I ever thought of,
long before I even thought about writing. It was during one those
perfect summer days and I thought to myself, what if I was a
total sun worshiper but was denied that pleasure? A story immediately
popped into my head with the dilemma of what a sun lover would
do if they were cursed to become a vampire.
The story has become one of my most popular,
having been published four times. A lot of people ask about The
Whistler character and if he will make a return. I don’t
know myself, but I hope so, mainly because he was based on a
real life person. In the late 80’s, psychiatric patients
were being “released into the community.” My hometown
was graced with the presence of several such characters, but
one guy really stood out. I’d come out of a movie theater
one night and I was walking back to my flat. Other moviegoers
peopled the street, but one guy stood out. He stood over six
feet tall with trousers that didn’t meet his socks, a raggedy
Nike sweatshirt and bowl haircut. He didn’t walk; he strode
and cut a swath through the crowd. He was some two hundred feet
behind me when he started to whistle. I didn’t recognize
the aria, but it was operatic. This guy was pitch perfect and
possessed the power to project his music like he had a microphone.
His ability was stunning to the extent that he stopped people
in their tracks while they took in this amazing giant. I didn’t
stop. I kept walking and walking fast, because for all the music’s
beauty, there was a sinister edge to this man’s whistle.
Nothing should have been that perfect. As I hurried, I felt him
and his music close in on me. His music, which seemed to be right
behind me now, enveloped me and I feared how long it would be
before the Whistler got to me too. He caught me up. The intensity
of his whistle hurt my ears. I couldn’t deny how much I
feared this man and my fear was repeated on the faces of the
people coming in the opposite direction. The Whistler overtook
me, never once acknowledging my existence. A sense of relief
flooded over me. As he left me behind, I felt safe again. I came
across the Whistler on several other occasions, but I never heard
him whistle again—and I hope I never do.
At this year’s World Horror Convention,
I was on a panel about fears. I stated that I feared just about
everything. I get nervous in a Starbucks because there are too
many choices and the line of people waiting for me make a decision
looks ugly. Ladies’ restrooms also make me nervous. Don’t
ask why I have visited a ladies’ restroom in the first
place. Let’s just move on. There’s something forbidden
about a ladies’ restroom, for men leastways. These places
aren’t for men, so if one ventures inside, then there should
be consequences. What triggered this desire to write about this
forbidden place was an incident a few years back when I was leaving
a movie theater and I spotted the janitor leaving the ladies’ restroom
and he seemed fine with being there. At the time, I was unemployed
and the jobs I was willing to undertake didn’t rule out
working in places that scared me. Hence a voyage of discovery
awaits my hero in "The Ladies’ Room."
I’ve seen a lot of hitchhikers on the
roads in the US. I’ve never picked any up and have never
been one. Like most people, I fear that my hitchhiker will be
a nut or conversely the person giving me a ride will be a nut.
I wanted to write a story where a blacktop predator would meet
his match and he did in "Polka Dots."
"Special Delivery"
Weird ideas pop into my head at times. There’s
no rhyme or reason for them. Somewhere in my brain, a neuron
flicks a switch that lights up an unintentional light bulb. In
this case, the “what if” question that sprang to
mind was—what if someone sent body parts through the mail?
And what if they weren’t the only one?
This is a pretty short story, but it’s
becoming a crowd favorite at readings. It’s a pretty shocking
tale about a woman who can’t throw anything away. What
makes this story that much more shocking is that Charlene Casey’s
obsessive compulsive disorder isn’t fiction but a fact
and so much so that it’s in a category all of its own.
Hoarding is a disease. There are people who can’t bear
to throw anything away and what seems over the top in the story
is drawn from several case histories. It just goes to show the
lengths that we can go to. I hope this story is a warning to
us all.
The story is seen through the eyes of Dr.
Birnbaum, who has made three appearances in my stories. I hope
to produce a collection featuring Dr. B’s stranger cases.
There are a lot of phobias out there and if one person is equipped
to deal with them, it’s him. J
This tale is one of my few gross-out pieces
and came from one of those daft backhand remarks I sometimes
make. Eating in America is an experience. The amount of food
and sheer size is intimidating to a small Englishman like myself,
so my early experiences ordering food in diners and restaurants
usually resulted in the sweats. Diner menus have a habit of showing
pictures of food rather than descriptions and what looks big
pictorially is usually even bigger in the charbroiled flesh.
It’s not uncommon that I’ll receive a burger that
I can’t get my mouth around, so my backhand comment was
along the lines of, “How do you people eat these things?” The
rest is disgusting history. J
This one went in the collection at the insistence
of my wife, Julie. I know why she values this one. The tunnel
exists and if you know Berkeley, California, you might know it
too. Weirdly, there’s a tunnel in the Berkeley hills at
the end of a four-way stop. Why there is a tunnel there didn’t
make much sense to me when I first pulled up in front of it.
There’s a house above it and steep flights of steps either
side of the tunnel to get to the house. I was surprised by the
tunnel’s presence, so I took a little time to examine it.
I noticed after a minute or two that no one went in and no one
came out. Everyone was turning to avoid it. The heebee jeebees
kicked in and I couldn’t go through the tunnel—but
my house hunting couple in the story did.
I find phobias fascinating in a train wreck
kind of way. It’s hard to turn away from one person’s
inability to deal with a certain aspect of their environment.
My fascination with hoarding came out in "The Hoarder." With "In
The Eye of the Beholder," I was drawn to an article on Body
Dysmorphic Disorder (BDD). Basically, this is a where a person
has a severe distaste for their bodily appearance. They go beyond
thinking their butt is too big. In extreme cases, people feel
their body is unbalanced and amputation is the only way to even
things up. At the time, a story had made the news about a man
who’d instructed a doctor to remove a leg because he could
no longer live with his scarred leg after a bike accident. The
actual scarring wasn’t that bad. I found the surgeon’s
comments engrossing. He risked his medical license because he
totally empathized with the man’s plight. With this story,
I wanted to deal with perfection and imperfection. When I was
thinking about where to set this story, there could be only one
place—Hollywood.
This is my favorite story in the collection
and in my personal Top 5 of stories I’ve written so far.
In June ’98, I was in Thailand and I
visited a British war grave about a mile from the Bridge on the
River Kwai. One of the people I was traveling with was an Australian
girl. After we left the grave, she told me about her grandfather.
He was a World War II veteran and never talked about the war—except
once, when he was drunk. He’d explained to her and her
family how he’d been one of the men that was charged with
the task of picking up the bodies of fallen soldiers after the
battles. I was riveted to her every word, which is astounding,
considering she was giving the account second hand.
I wasn’t writing at the time, but her
story stuck with me. Some years later, Horrorfind ran a war-themed
contest and I wanted to use this traumatic event somehow. Unfortunately,
I had a first half for this tale but not a second and it was
another year before I came up with Clelland’s bargain with
Oracle. The bargain creates a powerful dynamic. The story’s
format takes on one of "effect and cause"—the
effect being the bodies on the beach and cause being Oracle’s
need for food. If the Bucket Boys’ task wasn’t distressing
enough, the bargain Clelland has made with Oracle makes what
the Bucket Boys do a thousand times worse.
Location-location-location. This story is
all about setting. The guidelines for an anthology, which sadly
didn’t make it to publication, were for traditional monsters
in unusual settings. I thought about all the traditional monsters
out there and I decided on a werewolf story. I hadn’t written
one before and it was difficult to find a setting that was different.
Having recently taken a trip up to gold rush country, I decided
there was only one place where I could set an unusual werewolf
story—in a silver mine.
This story started out as an experiment. I
and three other writers began a round-robin story. We'd write
a section then pass it on to the next person until we had a story.
Unfortunately, the team lost momentum and the story fizzled out,
but I felt strongly about the piece. I believed there was something
to be salvaged and I asked if I could finish it. I added a considerable
chunk to the story to complete it then pared it down to produce
a contiguous and consistent piece. I think the reason why I wanted
to see this story completed was that collaborating with three
other writers had forced me to write something that I wouldn’t
have normally written. This stretched me and I enjoyed the torture.
I find it a very satisfying piece.
My time in Sacramento kicked up some interesting
ideas and "Bus People" was one. Not having a car, I
cycled or rode public transport to go places. It was a great
way to see the city, examine my new surroundings and meet interesting
people. Riding the bus provided plenty of contact with interesting
people. I know there is a stigma to riding the bus in the US,
hence the phrase “Bus People.” And rightly or wrongly,
there are some odd people who ride the buses and it’s hard
not to be affected by these people. I don’t think I’ll
ever forget the woman who sat next to me with her throat cut
from ear-to-ear covered with a wad of gauze on her way to the
hospital. The most entertaining bus people I encountered on a
semi-regular basis were from the care facility for the physically
and mentally disabled. These guys got to ride the bus once a
week to the mall and they had a whale of a time doing it. One
guy liked to mimic the sound of the bell people rang to call
for a stop and one girl liked to press it for him—every
twenty seconds, much to the driver’s annoyance. Another
guy hated the outside and would just lie on the floor and scream.
A wheelchair bound guy was happy was as long as he could buy
a Barbie at the mall and God help the world if he was denied
this request. At times, the bus was bedlam on wheels. It was
interesting to watch the how people dealt with the physically
and mentally disadvantaged. Personally, I’m uncomfortable
around physical deformity. I know I’m no angel when it
comes to this matter. I can't say it doesn’t ruffle my
feathers. However, I found my own particular bus people fun to
hang out with. So, with love, I created "Bus People." This
is for all the special boys and girls who ride the Number 5.
When Julie and I moved from Sacramento to
the Bay Area, we lived in an apartment and the shower curtain
in the bathroom was made of a silk-like cloth. The bad thing
about it was when you showered and got close to the curtain,
it would stick to you and it didn’t matter how warm the
shower was, the curtain was always cold, clammy and cloying.
Its touch felt like skin flayed only minutes before from its
owner. I came to hate having a shower in that bathroom fearing
its deathly touch and with this hate came an idea. "The
Shower Curtain" was written one evening while my hair was
still damp.
After starting with a flying story, the collection
also ends with a flying story. My flying experience makes me
very susceptible to flying tragedies. One such tragedy that sent
me searching for more information was the Alaskan Airlines flight
from LA to Seattle, which crashed into the Pacific minutes after
take off. The FAA published a transcript from the black box.
The reports made by the pilots chilled me. I found it hard not
to become emotional. These two men, when faced with certain death,
were ice-cool under fire. The plane was coming apart on them
and they were still making calculated decisions. Personally,
I know I would have lost it. Even when hope had abandoned them
and the plane was only seconds from impact, these guys were still
professionals and the copilot’s last words still chill
me.
He said, “Ah, here we go.”
So when I got the idea for "Faith," a
story about what really keeps planes in the air and our feet
on the ground, I decided to honor these men and all pilots who’ve
died trying to overcome crashing planes. The dialog between the
pilots during the crash scene is directly quoting the Alaskan's
pilots. For me, it makes the piece all that more traumatic.
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